Obit Delayed Read online

  Few mystery writers have won so enthusiastic a following in so short a time as

  HELEN NIELSEN

  whose colorful, tightly plotted, masculine stories have received the highest praise from readers everywhere …

  Obit

  Delayed

  is another smooth, tense Nielsen special, which wastes no words from its explosive beginning to its incredibly surprising finish …

  “Out of the ordinary …”

  —Los Angeles Herald Express

  “Swiftly moving and realistic.”

  —St. Louis Post Dispatch

  Obit

  Delayed

  By

  HELEN

  NIELSEN

  a division of F+W Media, Inc.

  Table of Contents

  Cover

  Title Page

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  15

  16

  17

  18

  19

  20

  21

  False Witness

  Also Available

  Copyright

  1

  DOWN AT THE EDGE of Mexican town, where the pavement gave out and the yellow dust drifted ankle-deep over the hard-packed adobe, a radio was moaning a dreamy beat into the night. It was the kind of music that needs two people, but only one was listening—a long-legged blonde who kept time to the music with one foot while brushing her glistening hair. It was getting on toward midnight and the time-keeping was automatic now, tired and listless like the strokes of the brush. Usually it was different. Usually the blonde’s wide eyes sparkled back from the cheap dressing-table mirror and her white teeth gleamed with easy laughter; for Virginia Wales believed in laughter as she might have believed in God.

  But sometimes the night grew cold even in this hell-baked valley, and sometimes the music, tuned at full volume, wasn’t enough to keep out the silence. Silence was the enemy. Silence let in the yesterdays and tomorrows until the face in the mirror dropped its mask and the years crept out of hiding to flaunt the awful evidence that youth can’t last forever.

  There was a quick antidote for morbid thoughts. Virginia dropped the brush and reached for the tall glass that stood beside a gold-plated trophy on the dressing-table top—and then she hesitated, peering into the blackness of the room beyond. A cheap house was always full of noises—she’d be glad to be rid of this one. The faucets dripped, the floors squeaked, but lately there was something else, too. Lately there was fear. Fear was a new companion for this laughing blonde and she struggled with it. But there was no doubt about the sound.

  “Frank?” She stood up and moved toward the doorway, the name still on her lips. And then she died—horribly.

  It was going to be hot when that fireball in the east swung up over the valley, but the blonde wouldn’t feel it. The blonde was nice and cool now. She didn’t need the air cooler any more, and she didn’t need the drink all poured out and waiting on the cluttered dressing-table. The ice in the drink was a long time melted anyway. The whole setup was pretty sad.

  At least that’s how it seemed to Mitch Gorman. Mitch had long since ceased to feel any awe or excitement for the dead, but he did think it was a little sad the way the blonde was draped over the bed with her head bent at a ridiculous angle and her mouth slightly open as if in surprise. Or she might have been yawning. Mitch yawned.

  “What a way to start a day,” he said.

  “What a way to finish a night!” remarked the fat man at his side. “She wasn’t a bad-looking woman, either.”

  Ernie Talbot, who carried a police captain’s badge in one of the pockets of his baggy seersucker suit, wasn’t looking at the blonde’s face when he passed that judgment. What had happened to her face wasn’t in the nature of a beauty treatment, and it would take a lot of imagination to conjure up a vision of how she must have looked before death broke over her like a busted dam. In the next room was a full-face photograph complete with glistening teeth, carefully groomed waves, and all the little lines in the wrong places artfully removed by the retoucher’s hand; but that wasn’t important just now.

  What was important was the ripped screen on a window so near the sidewalk that the street sounds walked right into the room. Also, the bloodstained hunk of gold-plated something that was still messing up the faded carpet. Mitch bent down and read the inscription on its base.

  Grand Prize—Jitterbug Dancing

  Merryland Ballroom

  1937

  That took imagination, too. Yes, with a little imagination a good newspaperman could work up quite a front page over this cold blonde on the rumpled bed, but Mitch didn’t feel a thing. This wasn’t the big town where an extra with a sordid headline would sell half a million copies. The people who bought the daily edition of Mitch Gorman’s cross and burden were a lot more interested in the market price of lettuce and the latest on the California-Arizona water fight than in what happened to a woman in a shack at the edge of Mexican town. Blondes who live in pasteboard houses shouldn’t undress in front of the windows, they’d say, and the customer was always right.

  “Nineteen thirty-seven,” Mitch mused aloud.

  “Keep your hands off that thing,” Talbot growled. “It may be crawling with fingerprints.”

  Mitch had no intention of handling what would hereafter be known as the murder weapon. He was merely squatting on his heels and regarding the object with an expression of acute boredom. Actually, he was sleepy. The annual party at Papa Parsons’s desert estate hadn’t dissolved until the wee hours, and the drive back from Palm Springs was a lot longer and much less exhilarating than it had been five years ago. Five years. That was exactly how long Mitch had been the editor of Papa’s Valley City Independent, and it didn’t seem a day over a century.

  One thing was for sure; his dinner jacket hadn’t been so tight five parties back. Mitch stood up again, briefly catching his reflection in the dressing-table mirror, and what he saw only added to that feather-duster taste in his mouth. All the tightness under his dinner jacket wasn’t muscle any more, and that college-boy crew cut looked a little silly sprinkled with gray. These changes hadn’t happened overnight, of course, but Papa’s party had.

  With Talbot it was different. He was pink and flabby and didn’t care. With that badge in his pocket he could look as he pleased, act as he pleased, and didn’t have to stay up all night drinking the boss’s whisky, laughing at the boss’s unfunny jokes, and trying to explain why the paper wasn’t making more money. Talbot didn’t even have to explain how he lived so well on a captain’s pay, a thought that would never have troubled Mitch on any morning but this.

  “Well, that’s it,” the officer said, drawing a sheet over the blonde’s body. “Now you know as much as I do. I just got here myself.”

  “Who is— I mean, who was she?” Mitch asked.

  Ernie Talbot forked a couple of fat fingers into his coat pocket and came up with a small notebook. He hadn’t wasted time in getting whatever information could be had on the spot. “Virginia Wales,” he read aloud. “Unmarried. Lived alone. Occupation — waitress at Pinky’s Quick Lunch.”

  Mitch snapped his fingers. “Pinky’s!” he said.

  “Know her?”

  “I’ve seen her in the lunchroom.”

  “Sure,” said Ernie, “that’s the trouble. The whole town’s seen her and she looked good. Too good.”

  “Meaning the ripped screen.”

  “Meaning the screen, the front door, the back door, or any of the windows. A small boy with a bent pi
n could break into this house. Look for yourself. Nothing but beaverboard walls put together with thumbtacks. Low-cost housing, the best investment money can buy.”

  Ernie wasn’t preaching. He’d merely sized up the situation and delivered an honest opinion. Ernie Talbot was a practical man.

  “Maybe she had company,” Mitch suggested.

  “In her nightgown?”

  “It happens.”

  “And with cold cream on her face?”

  Mitch hadn’t noticed the cold cream, but if Ernie said it was there it was there. The whole thing was very simple to figure. In time the police would pick up some fruit tramp with bloodstains on his clothes and no memory at all; meanwhile it would give the people a little something to talk about.

  But the sheet pulled up over the body was a cue for Mitch to be on his way and let the authorities do the work they were paid to do, a novelty he was loath to discourage. And getting out of the bedroom wasn’t such a bad idea. Not that a little thing like murder was going to trouble his sleep, providing he managed to get any, but he’d seen a few places less depressing than the dead woman’s bedroom. It wasn’t death so much; it was all the refuse of living. The unfinished drink, the scattered clothing, a magazine or two, and the dressing-table clutter of jars and bottles that couldn’t preserve her beauty now. It was a morbid thought for a morbid morning after, and things weren’t much better in the tiny living-room.

  “You remember Officer Hoyt,” Ernie said, giving Mitch a none too gentle shove through the doorway. Mitch remembered. “Naturally,” he answered. “I keep space open every day just in case he shoots another public enemy.”

  This was no way to talk about a public servant and defender of the law, but Hoyt’s stomach was much too flat and his face was much too untroubled to solicit appreciation from Mitch Gorman. He was big and square in his uniform, and he was perched on the arm of a shabby divan stroking the head of a young mongrel pup.

  “Eyewitness?” Mitch asked.

  “Squealer,” Hoyt answered. “This little fellow was what brought me over here. I guess he got locked out and wanted his bed; anyhow, the old girl who owns this court called in and made a complaint. I answered the call and walked right in on this mess.”

  “We need more men of your caliber,” Mitch observed gravely. “I’ll see that you get full credit.”

  “With two l’s,” Hoyt prompted.

  “How’s that again?”

  “My first name—Kendall. It has two l’s. You only put one when I got Mickey Degan last month.”

  Mitch didn’t have to be reminded. Mickey Degan, aged nineteen, cut down fleeing from a liquor store with a wailing burglar alarm. The kid hadn’t meant a thing to Mitch, but neither did this blond giant with the star on his shirt and the confidence in his face.

  “I’ll run an apology,” Mitch muttered, making for the door. “The Independent believes in giving a man all the ‘l’ coming to him.”

  That was it. That was the story Mitch took with him back to the ‘46 coupé he had pulled off the highway at the sight of a couple of police cars. (Everything Mitch owned was vintage of ‘46 except the dinner jacket. That was prewar only he couldn’t remember offhand just which war.) He was nosing back onto the highway when the ambulance rolled past, and it was considerate of the driver not to be waking up the town with his siren. The blonde wasn’t in a hurry anyway.

  On the way downtown, only a matter of blocks now, he composed a rough outline of the story he would tap out on an office typewriter and leave on his desk. It was too early for anyone but the watchman to be about, and that was just fine. This way he could sneak in and out and maybe get a few hours’ sleep before press time. The paper would get out even if he never came in, that was for certain.

  The market price of lettuce. The water fight. A dead blonde. That should be enough Monday news for anybody in Valley City who might still remember how to read. The Duchess would fill in with her regular column of local small talk, and young Peter Delafield would handle the rest. Pretty Peter would gladly handle everything, especially the knife he’d been sharpening up for Mitch Gorman’s back.

  Mitch yawned again. Peculiar how unimportant it all seemed at five-thirty in the morning.

  2

  SOME DAY Mitch was going to drive over to the Coast and throw his alarm clock into the ocean. It was a dream he had cherished for many years—a high, jutting cliff up north somewhere with a strong enough wind behind him to carry the infernal object far out to sea. And then he’d drive back to the valley and make an amateur out of Rip Van Winkle.

  It was ringing like a fire alarm in hell. One hand groped out from the sheet corkscrewed around him and tried to push down the little button, but nothing happened. The button was already down and the ringing was still ringing. Finally he realized that it must be the telephone, which was even worse since it was on a desk halfway across the room. On the way over he managed to pry his eyes open enough to see the stripes of sunlight running across the window blinds, and then a voice on the other end of the phone was saying—“You must have had a rough crossing. Forget your seasick pills?”

  That was The Duchess. The Duchess was a very funny woman sometimes—but not just now. She had a name, of course, one of the most prominent names in the valley, but she’d been just Duchess to Mitch from the day he walked into the Independent and found her sitting at her desk like a come-early spectator at the gladiatorial contests. Editors came and went at the Independent, but The Duchess went on forever. Exactly why was something Mitch didn’t understand, since she certainly didn’t have to write that fool woman’s page for a living, but she had given him her own kind of answer when he grew bold enough to ask. “I’m just naturally nosy,” she said. “This job makes it legitimate.”

  So there was The Duchess on the other end of the line, her pencil tapping an impatient tattoo on the desk top and that carefully and expensively cultured voice of hers sending out phrases that could have been coined at any first-class boot camp.

  “Who the hell are you sleeping with this time of day?” she demanded. “Am I supposed to get this damn paper out alone?”

  Mitch leaned against the wall and gave the latter question serious consideration. The hands of the innocent alarm clock stood at a little past eleven—not an unreasonable hour for a surviver of Papa’s hospitality—and yet, she’d said alone. That must signify something. “Don’t tell me Pretty Peter dropped dead!” he exclaimed.

  “Worse,” came the reply. “He’s playing ace reporter, editor-in-chief, the Voice of the People all over the place. The whole staff’s going to resign in a body unless you put your pants on and get down here quick!” With that The Duchess muttered some afterthought that Mitch didn’t catch, which was probably just as well, and banged the phone in his ear. Nobody argued with The Duchess.

  Some twelve thousand alleged souls inhabited Valley City, but by midmorning Main Street seemed devoid of life. Two rows of automobiles lined the artery, nosing the parking-meters some fast talker had sold the city fathers, but anybody whose gray matter hadn’t already fried remained comfortably inside the air-conditioned shops and offices. Not the old-timers, of course. Not the leather-faced characters who collected under the sun-bleached awnings to swap tales of how hot it used to get in the Imperial Valley. Mitch wasn’t that old and never expected to be. It was almost noon when he eased the coupé into a miraculously vacant parking-place and ducked in out of the sun. Maytime in Iowa had never been like this!

  Ordinarily the Independent office would have been about as charged with activity as a library reading-room. The paper was published every afternoon with a minimum of confusion. Nobody yelled, “Stop the presses!” The phones were indifferently silent, and there was no mad scramble to beat the opposition to the street since there was no opposition. In view of these facts, the scene Mitch encountered as he walked in was as ridiculous as a high-school production of “Front Page”—with Peter Delafield playing all the leads.

  “I don’t care what you have s
et up,” he was yelling at the pressroom foreman, “we’re running this story. And I want room for the picture even if you have to scrap the whole front page!”

  The Independent staff wasn’t large, but all there was seemed to be listening. Even The Duchess with her hitched-up eyebrows and Mona Lisa smile. Even the red-haired Lois who sometimes took classified ads if they didn’t interfere too much with her personal phoning. Mitch slipped past the counter separating the front door from the inner office and joined the congregation.

  “I don’t know what this is all about,” he said, “but if it’s another war just run it in sports. We can’t be tearing out the front page every day.”

  There were times when Mitch suspected that Peter didn’t love him. Dark and devastating was the scowl that met this interruption. Peter always reminded Mitch of the lad in Lastex trunks who made love to Esther Williams in Technicolor, although Peter’s office attire was more formal, and the boy was simply loaded with a charm that escaped him completely.

  “It’s not a war!” he snapped, coloring under that too-healthy tan. “It’s the Virginia Wales murder. I’ve been knocking myself out getting the facts on that mess.” While you were at home sleeping off a hang-over. That’s what Peter didn’t say. That’s what he didn’t have to say.

  “And?” Mitch suggested.

  “And now I’ve got a paper to get out!”

  There was a pause, one of the loaded variety that could have gone off in everybody’s face. It was no secret that Delafield was closing in on Mitch’s job, but it wasn’t polite to climb into a man’s chair before he left it. Mitch glanced at The Duchess, and she winked broadly. The Duchess was fifty if she was a day, but her wink could make molehills out of the High Sierras. And then Lois, who never made sense anyway, chirped a bright—

  “Pete’s found the murderer!”

  That was the beginning of Peter’s story—with the punch line stolen right out from under him. He was shaken by the experience, but not too shaken to take it from there. And gradually, and in spite of himself, Mitch began to get interested.